↑ Approved by a governmental decree of the Russian Federation (No.The site is currently available only in Russian, but technical enhancements and translations of descriptions in English are expected in the near future. It is possible for researchers working on the project to add comments or make amendments to the data in any fields of the system in order to improve their accuracy, should this prove necessary.Īs of February 2018, some 530 digitised autographs of Tchaikovsky's manuscripts from the Museum Consortium's archival holdings and other Russian archives (approximately 16,700 digital images in total), are available through the Russian Cultural Heritage web portal: The third provides information concerning the document's history, preservation and study, and traces its relationship with other sources.Īt the end of each description, a historical abstract or an analytical annotation is sometimes provided. The second section focuses on the autograph as a physical object. The first block of fields contains the basic factual data about a given piece of music that are written in the manuscript, and the form in which these are presented. Number of movements, movement titles and/or tempo markings (for sets and compilations).Manner in which musical material is presented.Authors of librettos/lyrics (for operas, vocal chamber compositions, choral-orchestral compositions, choral compositions).Authors of the literary original (for operas, ballets, programme compositions).Standard title of work according to the Thematic and Bibliographical Catalogue of P.Author of the original musical content (for other composers' versions, arrangements, instrumentations).The catalogue number assigned to the work in the Thematic and Bibliographical Catalogue of P. The following information is provided about the autographs of musical compositions: In addition to a hyperlink, each page provides a description of the document in question. Scans of composition autographs are available on a particular composition page. Commemorative and presentational inscriptions.Holdings from the composer's personal library.Authorised materials (manuscripts by others, proof sheets, printed publications of Tchaikovsky's compositions with his corrections).The main subject headings reflect the types of documents that constitute Tchaikovsky's legacy of manuscripts: The digital database ‘Tchaikovsky, Open World' will contribute to a series of web projects focused on the legacies of such European composers as Ludwig van Beethoven, Johann Sebastian Bach, Franz Schubert, Johannes Brahms and Edvard Grieg. In addition to providing access to Tchaikovsky's manuscripts in digital format, the database will also provide information about the ways in which these documents shed light on Tchaikovsky's life and work, as well as on the cultural life of the period. These data are vital for a better understanding of the composer's intentions, and to inform contemporary performing practice. But even where these versions are accurate, they cannot fully convey the original manuscript, the features of its design or details of its history. In Tchaikovsky's case, primary sources and issues of authorship are especially acute, since many of his musical compositions are best known in versions that appeared after the composer's death and that significantly distort the authentic text. Negotiations are being conducted with these organisations regarding their participation in the project. In total, over 80 storage locations house Tchaikovsky's documentary heritage, with the most important archives located in Russia. Today, this vast collection of materials is scattered across archives, museums, libraries and private collections all around the globe. The total number of documents comprising Tchaikovsky's manuscript heritage has yet to be determined precisely, but it is safe to say that it will run to thousands of items. In a broad sense, Tchaikovsky's manuscript heritage includes all of the documents written by the composer both in their entirety and in part.
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